Auditions for tenors and basses have been extended to Wednesday, June 20.
To schedule an audition, please contact Robert Russell at firstname.lastname@example.org
Audition Location: Williston-Immanuel United Church, 156 High St., Portland ME (use rear entrance, from Deering Place).
For your audition please prepare as follows:
1. Sing a cappella the first verse of “America the Beautiful” (O beautiful for spacious skies) in the key appropriate for your voice:
. Soprano I F (begin on c, octave above middle c)
. Soprano II E-flat (begin on b-flat above middle c)
. Alto I B-flat (begin on f above middle c)
. Alto II G (begin on d above middle c)
. Tenor I E (begin on B below middle c)
. Tenor II D (begin on A below middle c)
. Bass I B-flat (begin on F below middle c)
. Bass II F (begin on C below middle c)
2. Sing a scale to determine range.
3. Sing, as instructed, the top, middle or bottom note of a three-note chord as played on piano.
4. Sing your part a cappella (mm. 1-45) in Imant Raminsh’s “Fecit potentiam” (from Magnificat).
5. Sightread a song of moderate difficulty.
Raminsh’s “Fecit potentiam”
An Epiphany Celebration 2019 –– rehearsals
. Saturday October 20 10:00 a.m. – 3:00 p.m.
. Sunday October 21 3:00 – 6:00 p.m.
. Wednesday November 7 6:30 – 9:30 p.m.
. Thursday December 27 6:30 – 9:30 p.m.
. Saturday December 29 10:00 a.m. – 3:00 p.m.
. Wednesday January 2 6:30 – 9:30 p.m.
. Saturday January 5 11:00 a.m. – 1:00 p.m.
Concert #1—Friday, Jan. 4 at 7:00 p.m.– First Parish Church, Gorham (Call at 4 p.m.)
Concert #2—Sunday, Jan. 6 at 2:30 – WIUC (Call at 2 p.m.)
SpringSong – Concert: Sunday, April 14, 2019 4:00 p.m., WIUC
. Rehearsal schedule for SpringSong 2019 TBD early fall.
ABOUT CHORALART CAMERATA
The ChoralArt Camerata is a small (15-18 voices) ensemble of mixed voices, singing principally a cappella choral music from the classical tradition of Western choral music: European and American art music, folksongs and spirituals, and occasional ethnic music. Singers receive music and a detailed rehearsal schedule well in advance and come to rehearsals with music prepared at a performance level: notes, pronunciation, dynamics and articulations, i.e., everything that the composer put in the score. Rehearsals are used for interpretation, balance, blend and artistry. We welcome skilled singers and good musicians who have the time to dedicate to this very rewarding choral opportunity.